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Consoles, Art-Net and DMX controllers
5 items to hire
Desks, controllers and how the lights are run
Something has to send the instructions
DMX is the language lighting uses: every fixture has an address and listens for values on it, 512 channels to a universe. The control is whatever sends those values — a controller with faders, a console with a screen, or software on a computer with a key that unlocks its output. The fixtures here are all three-pin DMX, so the control and the cabling have to match.
Which kind of control suits the job
- A few fixtures and one person: a controller such as the Chauvet Obey 70, with faders and preset banks and no computer to boot.
- A show with scenes and cues: a console such as the Avolites T3, or grandMA3 onPC on a laptop of your own.
- Software on your own machine: the grandMA3 onPC DMX key unlocks the output, and the mini PC is the machine to run it on if you would rather not use yours.
- A rig spread around a room: an Art-Net node carries eight universes over network cable, which is easier to run than eight separate DMX lines.
What to tell us
- How many fixtures, and roughly how many channels each one uses — the total decides whether the control has room.
- Whether you want scenes built in advance. We can programme speeches, first dance and party and leave one button to press.
- Who is operating it, and whether they have used a console before. A simple controller is usually the kinder answer.
- Where the control sits: at the side of the stage, or at the back of the room with a long data run to the rig.
- A laptop running console software wants mains power and a screen someone can actually see from the operating position.
Common questions
- Can I run the lights from a laptop?
- Yes, with console software, a key that unlocks its DMX output and a route to the fixtures — either an Art-Net node on network cable or a USB DMX interface. The Avolites T3 is the same idea without the laptop.
- What is a DMX universe?
- One run of 512 channels. A par can might use four or five, a moving head a dozen or more, so a small rig fits comfortably in one universe and a large one is split across several.
- Do I need a terminator on the end of the run?
- It is worth it on any run of more than a few fixtures. An unterminated chain often behaves until the rig warms up, then flickers, and the terminator is cheaper than the fault-finding.
Lighting desks, DMX interfaces and controllers, so the fixtures can be run properly: from a simple controller for a handful of par cans to a console with scenes programmed for speeches, first dance and party. We can programme the show before the event and leave you one button to press. Delivered and programmed across Lincolnshire and Nottinghamshire, from Lincoln and Sleaford to Nottingham and Mansfield.
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